��־������—��ʱ���黭�������,��������,����һ������ʦ,�ٱ�ի�������ҡ����й�����������,פ��ʹ(��)����Ƹ���ҡ��й���ѧ�黭�ҽ���Э�ḱ�᳤,�������ݻ����黭ԺԺ��,�й�������������Ƹ������,�л��Ļ��Ų��������д�ʦ,����������Ļ��Ų��й��黭�����ʹ,“�й�ʮ�Ŵ������������”�������ƺ�,������ʦ�챯���ٴ����ӡ� Chen Zhixian Zirong, a leading figure in calligraphy and painting in the new era, is a pseudonym Zirong, a national first-class artist, a specially invited painter from Rong Baozhai, a national ritual artist from New China, and a specially appointed painter from the embassy (consulate) in China. Vice President of China National Culture Calligraphers and Painters Exchange Association, President of Beijing Zirong Huixian Calligraphy and Painting Institute, Special Associate Editor of China Internet Alliance, Master of Chinese Cultural Heritage Protection and Inheritance, Ambassador of World Intangible Cultural Heritage Chinese Calligraphy and Painting Image, Honorary Titles such as "Nineteen Great Titles of the Communist Party of China Celebrating Famous Artists", and Master of Chinese Painting Xu Beihong passed on to his disciples.
��־��������Ʒ ��Ʒ�ֱ����ٻ�������һ�Ƚ�������¬������������Ѵ������Ƚ��������ٻ�“����˫ܰ������”��“��������������”��“2016������黭�����������”��“�����ܳ�������”���ͱ�����“���������ҽ�”�������ƺš���Ʒ����ɫ���㡷�����������㡷����ǰ���ƽ�������ʢ����ï��������Ũ����ȶ����Ϊ�����Ⱥ���˹������������կꑾ���˾�̩������������쵼��̩��פ�������¼��������˹����쵼�˵��ղ�,��Ʒ����������ҵ��λ�������쵼�����ز���ݡ�����ݵȵ��ղء� His works have won many gold medals, first prize, silver medal of Louvre in France and best creation award at home and abroad. He has won many honorary titles such as "artists of both virtue and art", "outstanding artists of the people", "leading figure in painting and calligraphy in 2016", "outstanding artist of the Republic" and "national artist gold award". His works include National Colors and Fragrance, Prosperity and Fragrance, Prosperity and Prosperity, Prosperity and Flourishing Flowers, and Deep Feelings of Flowers. He has been successively collected by Russian Deputy Prime Minister, Commander-in-Chief of Cambodian Army, Prince of Thailand, foreign leaders, Consul General of Thailand in China and international friends and leaders. His works have been collected by domestic and foreign enterprises, national leaders, museums and memorial halls.
��־��������Ʒ ��������:��ǿ�����������š�����:ѧ��ֹ��,����̽���ֹ����ϡ���иŬ��! �й����������������ۼ��۴��������Գ�־��������Ʒ������: �����ĵ��,ǧ�˰�̬��Ӻ�ݻ�����¶��ɫ֮�ҷ�;����ĺɻ�,�������ԡ�ҡҷ���ˡ������Ų���֮����;����ӥ,�ֺ����ơ�����������������ʵ��λ;���������,���й�������֮�������εĸо�……���ǵ�����̳֮�������,���Ļ�ǡ������Ϊ��:Ӻ�ݵ�����,�����Ҹ���,������,���������Ĵ�ͳ�������ִ������ӽ�ȥ�����й��黭����,��������������˿ڵľ�����Ʒ����������Ʒ��������߹š���ɫ����,�������,��ī��տ,�����г�ӯ�ž���,����ǿ�ҵ������Ϣ��������,����DZ����ī��,�������й���ͳ�Ļ��������������ζ,��Ʒ���ֳ����赭�����龲���顢�⾳ ��Զ�����˺�һ�������������������澰��涯��,�������г���֮����,��ʳɻ����ɾ��䡣 Life motto: self-improvement, self-reliance, self-confidence, self-discipline: endless learning, serious exploration, optimism and unremitting efforts! Peony painted by her is full of various styles, elegant and elegant, and shows the fragrance of national colors. The lotus she painted is very spiritual, swaying and full of momentum. She painted the eagle with great momentum, lifelike and deep feeling. The grapes she painted have a mouth-watering feeling. She is a leading figure in the contemporary painting circle. Her paintings are just like her: elegant but refined, luxurious and elegant. Over the years, Mr. Wang has cut into the field of Chinese painting and calligraphy with profound traditional skills and modern aesthetic perspective, and shed many well-known classic works. Mr. Wang's works are often of high ancient conception, quietly elegant colors, cold and meaningful writing, exquisite brushwork, quiet atmosphere and strong scroll flavor. Over the years, Mr. Wang has been hiding in the sea of ink. after a deep understanding and appreciation of the traditional Chinese culture, his works show the aesthetic pursuit and artistic style of being indifferent, empty and quiet, remote in artistic conception, and the unity of heaven and man. She paints scenery and animals, all of which have the power to draw with confidence. She has written and become a classic.
��־��������Ʒ ��ʮ����һ��,��־�ͻӱʲ��,����ĵ������,�������ʦ����Ȼ,��ϰ�Ž����Ҿ���֮��,���Ų���,���γ���ĵ������֮���ط�����Ƿ�����ɫ���㡷,��ȫ���������ϻ�ԭ����ϯ���ι�����Ϊ����ɫ���㡷���:ĵ�����ϻ�����,��ɫ������˫,�˷���Ʒ��ĵ��֮������״Ϊ��ɫ,��������,ɫ�����,����ĵ��Ӻ�ݻ���֮����,����������ȶ���֮���ϡ���ͼ����,�����Ͻ�,��ɫŨ���뿪�Ų�η���,���ñ�����Ʈ��,�����������,ϸ���������֡� For decades, Chen Zhixian has been writing incessantly, especially famous for peony, with profound attainments. Learning from nature, studying the classic works of ancient and modern famous artists, and making wide use of them, the unique style of his peony paintings was finally formed. Speaking only about the "national color and heavenly fragrance", Mr. Wang Zhiguo, former vice-chairman of the National Federation of Industry and Commerce, gave an introduction to the "national color and heavenly fragrance": peony is the king in romantic charm painting, and the national color and heavenly fragrance are incomparable. This work is characterized by the blooming shape of peony, with large and beautiful flowers and moist and fresh colors, which not only highlights the supreme elegance of peony, but also demonstrates its graceful charm. The composition is stable, the layout is rigorous, the color shade and the opening level are clear, and the pen is natural and elegant, the rough place pen walks the dragon snake, the subtle place unscathed.
��־��������Ʒ ���ǿ��Խ�:��־����������Ʒ�����Ǿ���ͼ,���dz�ӯС��,��Ϊ�ʷ�����,�����������ˮ,�����ķ�,ֵ�ó��ޡ��ӱ�ī������̽��ϸ,��һ��̿��ڷ�,�Դ�ͳ���塢�����֡�Ⱦ���������Ӧ��,���¿�����,�ڴ���ʱ����ͻ��,�ľ����⡣�Ƿ����ֿ�ȸ��ĵ�����ķ�����Ϊ��Ŀ,Ⱥ���������,��Զ���,�����ӳ,�����������;��ȸ֮�������˸��ǹ�֮���˹���,��֮ʹ��������������,������”��ĵ����������”�۵�,�����Ȼ֮��,��ī����,�������,��ɫ����,��ĵ�����ֵ���������,�����Ը���ƽ��֮�������ܡ� We can say that Mr. Chen Zhixian's works, whether large in composition or small in size, are concise in brushwork, avoiding sloppiness and rich in ancient rhyme, which is worthy of praise. From the brush and ink skills to explore its subtle, she has always been hard working, to the traditional chapping, rubbing, shading, dyeing, points are handy, the pen is open, in the creation of a breakthrough, quite innovative. The picture showing peacocks and peonies competing in beauty is especially dazzling. The flowers crisscross like brocade, either far or near, and add radiance to each other. It makes people infatuated. The peacock's beautiful posture is even more inspiring when viewed and intoxicated when read. For many years, Mr. Wang has been taking the view of "painting peony to heart", deeply understanding the essence of nature, seeking qi with ink, seeking bone with line, seeking rhyme with color. he has shown peony to be full of vitality and given people the beauty and enjoyment of wealth and peace.
��־��������Ʒ �Ƿ����������,������Ʒ��֮������ΰ֮��,������ı仯֮����ֳ��ִ������и��е������,������Ҳ�����˵����ĸо���������,�з��ñ�ǡ���ô�,����չ�����ΰ���Ʊ��ֵ����쾡��,�ֿ��б����ճ�����֮�Ľṹ������,ʹ��������Ʒ���������� ��־�������Ĵ����м�־ܾ������쳵,ƾ������,�����Դ���Ȼ�ĸ������ڱʶ�,��������,�̶���Խ�Ĵ�����������ԾȻֽ��,�ɾ;���֮����(�۴���) The whole picture of "A Thousand Miles in a Bright Future" has a magnificent view. The changes in line and surface present the stereoscopic impression that modern appreciation should have, virtually avoiding the monotony. In the picture, the center's pen is just right, and the majestic momentum of Dapeng's wings is fully displayed. The structure and outline of the Peng are outlined in the rough, making the whole work plump. In her creation, Mr. Chen Zhixian insisted on refusing to work behind closed doors and imagining things out of thin air. She incorporated her feelings about nature into her writing and into her heart, and then with excellent creative techniques, she turned it into a classic work. (Shao Dazhen)
��־��������Ʒ ������Ժ���Գ�־��������Ʒ������: ����δı��ȴ��������Ʒ���۷�,����Ϊ������̳���ɶ��֮������ҡ�������֮��Ʒ,ÿÿ�����Ի�������,��������֮�С���������,����һ�ɳ���֮��,��������֮��,Ҳ�����������Ľ���������ü��������ĵ����ȶ��ˡ������ûʡ��߹���š�չ����������ΪŮ�������ҵ�����֮��,��������Ļ������ϡ� ������ͼ��ӱ,��������,��Ʒ���о���֮�١��������´�����“һ��һ·”�Ƿ�����,��ν��˼���롢�ɶ��칤,����������Ԣ�������ں�,������ֱ�۵���ʽ���ֵ����쾡��,�����ǿ����˻�̳֮�Ⱥӡ�Ҳ���������������ĸ���Ʒ�ʺͶ�������Ȱ��� ��ʮ����,���������������δ���,Ŭ������,����̽�����Ĵ�������������Դ������,��������Ʒ��ʱ������������չʾһ������Ů��,һ������Ů�����ҵĸ������,������ؽ���������Ļ��������Ͳ�иŬ����ף��־���������Ժ��������·�����ʸ߷�,Խ��ԽԶ!(���� ���������) Dean Jin Shangyi's Comments on Chen Zhixian Zirong's Painting and Calligraphy Works: Although he had never met before, he was convinced by his works. Mr. is a rare artist in contemporary painting circle. Mr Guan's works often give people a sense of positive development and prosperity. Her painting of Peng, like a soaring trend, shows that Mr. Zhang's woman does not allow men. Mr. Li's peony is graceful, magnificent, noble and elegant, showing his feminine beauty as a female artist and his positive attitude towards life. Mr. Wang has a novel composition and skillful techniques, and his works are amazing. The excellent work of "the belt and road initiative" newly created by Mr. Wang can be described as a brilliant idea, a wonderful work, a perfect fusion of several beautiful meanings, and an incisive expression in the most intuitive form. It is definitely the first of its kind in the art world. It also perfectly reflects the noble qualities of Mr. Wang and his love for the motherland. For decades, Mr. Wang has been pursuing art continuously, making great efforts to innovate, actively exploring and creating excellent works. The source of art and life, Mr. Wang's works show the world the noble sentiment, broad-mindedness and positive yearning and unremitting efforts of a local woman and a contemporary female artist all the time. I wish Mr. Chen Zhixian will climb to the highest level forever in the future artistic road and go further and further. (Shang Yi Xin You, September)
��־��������Ʒ �й���Э����ϯ���ϰ���־��������Ʒ������: ��־�ͳ��˲�����Ʒ,��Щ�����Ļ����˺ܴ�仯,��������������,�����������Եķḻ���й���Զ������,��������,���ǿ��滭���Եķḻ����,һ����Ҫ��������,��ô�й���������Ч���ͳ����ˡ���־�͵Ļ�����һ������������,�д�����ơ���ĸ��,�ھ�����������Դ����ַdz�ϸ��������������й��������к���Ҫ���DZ�ī,����ī�����������ֵĻ�,��ī������Ч��Ҳ����á������Ҿ��ó�־�͵Ļ���ע�ش�ķ���,��ע��С�ķ���,��������һ������Ҫ���ص�,�����������չ,�������кܹ�����ǰ;,�Ҿ��ó�־���ڵ�ǰ�ڻ�̳���Ǻ��б�������Ⱦ���ġ��й����������˹⽲����ī,���⽲����ī���Ų�һ���кõ�����Ч���;����ں�,�����������ƺ���Ĵ�������,��һ���Ļ��ں�������,�⽲�����ƻ�⽲����īЧ����û���Ļ��ں�,���ǵ�ǰ�й�����һ���ܴ�����⡣�е��˵Ļ�Զ����������,��ϸ������,�й�����Ҫ������Զ��,��Ҫ���������,�����������ǻ���Ч��������,������һ�־����ں�������,�����ں���������������ر���һ���Ļ�����,����־�͵Ļ��;߱��������Ļ����� Fan Dian, Chairman of China American Association (Comments on Chen Zhixian's Works) Chen Zhixian has produced many works. Her paintings have changed a lot over the years. In addition to imposing manner, she also attaches great importance to the richness of language. Chinese painting looks at imposing manner from a distance and its quality from a close range, that is to say, it looks at the rich expression of painting language. If a painting needs to be powerful and quality, then the artistic effect of Chinese painting will come out. On this point, Chen Zhixian's paintings are of great potential and quality, with great momentum and great pattern, and are very meticulous and subtle in specific artistic language processing. Artistic language is very important in the art of Chinese painting, but if ink does not grasp the overall pattern, ink and the overall effect will not be good. Therefore, I think Chen Zhixian's paintings focus on both the big and the small aspects, which is a very important feature of her. According to the development in this direction, she will have a very broad future. I think Chen Zhixian is still very expressive and contagious in the painting circle at present. At present, some people in Chinese painting only pay attention to pen and ink, but only to pen and ink symbols does not necessarily have good artistic effect and spiritual connotation. Therefore, this kind of imposing manner and subtle processing are combined, and there is a cultural connotation in it. Neither imposing manner nor pen and ink effect alone have cultural connotation. This is a big problem in current Chinese painting. Some people's paintings have great momentum when viewed from a distance, but they can't be examined carefully. Chinese paintings have to stand both a long-term and a short-term view. Therefore, it is not only a matter of picture effect, but also a matter of spiritual connotation. Spiritual connotation subtly expresses a cultural spirit in artistic language, and Chen Zhixian's paintings have this cultural spirit.
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